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Painted between 1495 and 1498, The Last Supper is a mural that captures the moment Christ announces his betrayal. Leonardo employed experimental techniques, combining tempera and oil on dry plaster, which contributed to its rapid deterioration but allowed for greater detail and subtlety. The composition is structured around linear perspective, with all lines converging at Christ’s head, reinforcing his centrality. Each apostle reacts differently, creating a psychological narrative across the table. Over centuries, the work has undergone extensive restoration, complicating questions of authenticity and preservation.
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