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1 moment on Art Journal
Emmanuel Perrotin opened his first gallery in Paris in 1990, while barely into his twenties, and built it over three decades into one of the more genuinely global commercial galleries in contemporary art, with spaces now spanning Paris, New York, Hong Kong, Seoul, Tokyo, Shanghai, and Dubai. The gallery is closely associated with artists who move fluidly between fine art and broader pop and street culture, Takashi Murakami and KAWS both among its major represented names, a positioning that has made Perrotin one of the clearer bridges between traditional gallery-world legitimacy and the design, fashion, and collectibles-adjacent audiences that surround artists like these.
Because Perrotin's roster leans toward artists with strong visual, often colorful and immediately legible styles, exhibitions here tend to be more approachable on a first viewing than a lot of contemporary gallery programming, worth visiting even if you're relatively new to gallery-going and find more conceptual spaces intimidating. As with any commercial gallery, admission is free and there's no expectation you're there to buy, walking in to simply look is entirely normal, whichever city's location you happen to be near.
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